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Hhshirt - Bummercamp raise hell praise dale shirt

The cowboy boots that topped our fall shopping carts are carrying over into spring. Like this It girl, tuck straight-leg jeans from Slvrlake into boots from Isabel Marant for your coolest look yet. Up top, layering essentials include The Frankie Shop’s Suzanne trench coat and Naadam’s cashmere sweater. The last scene of the Bummercamp raise hell praise dale shirt also I will do this documentary Pretty Baby: Brooke Shields, about the 57-year-old actor’s life, career, and sexual objectification as a child, is an intimate family dinner at the West Village townhouse Shields shares with her husband, writer Chris Henchy, and two teenage daughters, Rowan, 19, and Grier, 16. Shields asks her daughters if they have seen either of the films that catapulted her to teenage stardom: 1978’s Pretty Baby, about a child prostitute in turn-of-the-20th-century New Orleans, and 1980’s Blue Lagoon, an Adam and Eve–inspired island-survival fantasy. Grier says that edits of Pretty Baby on TikTok had steered her away from watching it in full. Rowan asks her mother if she appears naked in the film. When Shields says, “Yes, my little 11-year-old body,” Rowan visibly shudders. “Okay, no, that’s weird, Mom,” Rowan says, her hands up in protest. Shields probes them as to why, while Henchy nervously chews his steak at the head of the table. “Child pornography!” cries Grier.



It sounds simple, but after two hours of watching Shields wrestle with the Bummercamp raise hell praise dale shirt also I will do this way that she was presented to the world and treated by the film and media industries as a young person, the documentary’s takeaway does not feel quite so straightforward. After premiering to a standing ovation at Sundance in February, the film, from director Lana Wilson (of the critically acclaimed Taylor Swift doc Miss Americana), will air in two parts on Hulu beginning on April 3. “I was surprised at how invested everybody so immediately was,” says Shields of the early response. We are sitting on the cream sofa in her living room on a bright, late-winter day. Shields is dressed casually, in wide-leg track pants and a cropped white sweatshirt. Across from us, oil portraits of Shields’s daughters as little girls by the artist Will Cotton frame the marble fireplace. “People found themselves in my story in different ways and, to me, that’s why it works.”


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