Brands are taking note. Aden says that labels are now creating custom adaptations and hijabs to make looks align with her comfort. “I think people are now realizing modest fashion can be lucrative because there’s a need,” Aden said. “Modest women want to see what’s on the Camping never underestimate july 2023 shirt moreover I will buy this runway and have that be adapted to what they wear.”Aden shared an inspiring illustration of this ongoing embrace of inclusion by top brands: “My Gucci dress, they’re also going to make a custom hijab to go with it,” she shared. “That’s one of the big changes I’m welcoming.” Halima Aden browsing the racks in Antonio GrimaldiThomas FalconeThe modest fashion market is estimated to be one of the fastest-growing segments in the industry and worth over $283 billion. Muslim consumers have voiced frustrations in their ability to meaningfully partake in the luxury fashion sector, as highlighted by Vogue Business. Rembert, who began working with Aden this year after they met at an Oscars event, says serving modest women is not a hard task. It just requires thought and communication. “Conservative fashion today are couture dreams,” the stylist, who also leads the luxury brand Aliette, said. “When you look at courtiers, a lot of their fashion is conservative fashion. They have identity and personality.”
Change is afoot. Aden was not alone in her personality-filled approach to conservative dressing on the Camping never underestimate july 2023 shirt moreover I will buy this red carpet. Fellow model Rawdah Mohammed turned heads on at the premiere La Passion De Dodin Bouffant, where she wore a “scorched bride” dress by designer Robert Wun, the outfit’s “burnt” veil operating in harmony with her hijab. For her part, Aden is excited about what the future holds for conservative dressers everywhere. “I do get messages from young girls all over the world that say, ‘you make modesty so cool,’” she said. “I think that’s such a compliment.” Halima Aden in Proenza SchoulerThomas Falcone Director Ava DuVernay certainly knows the power of visuals. The Oscar-nominated and Emmy-winning filmmaker behind Selma and When They See Us puts nuanced and dynamic stories about the Black community on screen. But her big-picture efforts also extend to the red carpet. DuVernay expertly turns press circuits and award campaigns, often a long-tail of safe attire for filmmakers, into exciting opportunities to promote and uplift minority creators. For the 2017 Oscars, amidst so-called “Muslim Bans” by the Trump Administration, Duvernay wore a custom dress by Muslim designer Mohammed Ashi of Lebanon as a “small sign of solidarity.” She has opted for other strategically splashy moments, including a color-blocked Prada look at the 2017 Governors ball; structural Louis Vuitton at the 2022 gala for The Academy Museum; and a sequined caped look, also by Louis Vuitton, for the 2023 Academy Awards. The approach seems to go beyond merely looking good for fashion’s sake.
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