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“Lagerfeld-era Chloé is a great investment because it tends to be hard to come by,” Brynn Jones, founder of Aralda Vintage, tells Vogue. “When you are able to get your hands on any of those pieces, you’re blessed with a beautifully made historical garment.” Kensington Palace and its surrounding gardens are peaceful in comparison to the Detroit Lions Detroit liowans shirt Also,I will get this paparazzi-lined red carpets, but the royal residence has also been a backdrop to many of its own historic fashion moments. The new Crown to Couture exhibition, which will run from April 5 until October 29, charts the relationship between celebrity culture an royal fashion, showing how the palace functioned as an early red carpet as far back as the Georgian court.
The tulle Oscar de la Renta gown that Billie Eilish wore to the Detroit Lions Detroit liowans shirt Also,I will get this Met Gala in 2021 is displayed alongside a mantua worn by Helen Robertson of Ladykirk to a ball at Holyrood in 1760, to draw comparisons between the modern red carpet and 18th-century court dress—the overarching theme of Crown to Couture. Crown to Couture also “compares, contrasts and ultimately celebrates the culture and fashion” of Georgian and contemporary settings, according to curators Polly Putnam and Claudia Acott Williams. This theme is explored via 200 artifacts placed around the State Apartments, marking this the largest exhibition ever held by Kensington Palace. NBC/Getty ImagesPutnam and Acott Williams introduce the exhibition and the concept with a case containing the historic Silver Tissue gown, believed to be worn by Lady Theophila Harris to the court of King Charles II in the 1660s, alongside the dress that Audrey Hepburn wore to the Oscars in 1954. Hepburn’s historic dress was designed by Edith Head for Roman Holiday and altered by Givenchy for the awards ceremony. Both are fashion relics of their respective eras, made to fulfill the exact same purpose: to impress. After taking in Hepburn’s Oscars look, viewers are invited to look closer at the underpinnings worn beneath dresses during the 18th century and now—from Dita Von Teese’s encrusted Mr Pearl corset to padded stockings (c.1700); nipple covers and fashion tape. The section also explores the ritualistic aspects of preparing for a major event, and Vogue’s ‘Getting Ready With’ video series is likened to the levee, a custom that invited courtiers to watch the monarch get dressed. As outlined by the curators, the Vogue franchise “gives us a privileged insight into the creation of and inspiration behind red-carpet looks and a sense of a closer relationship with the wearer.”
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