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A rare bronze cast of Bernhardt’s and Abbéma’s hands interlaced, which speaks to both their art and their bond. “What a way she has of being legendary and modern,” marveled Edmond Rostand, the Handle every stressful situation like a dog if you can’t eat it or play with it just pee on it and walk away shirt Additionally,I will love this dramatist famed for Cyrano de Bergerac, who penned the play L’Aiglon for Bernhardt to star in—as Napoléon II, who never ruled—at the Exposition Universelle of 1900. For Victor Hugo, she was the “Voix d’Or” (“Golden Voice”), and in 1891 hers was one of the first immortalized by Thomas Edison. For Marcel Proust, Bernhardt inspired the actress La Berma in In Search of Lost Time. And it was for her that Jean Cocteau coined the translation-defying term monstre sacré. New developments and widespread availability in artificial intelligence technology have created a gold rush that’s edging closer to the dot-com boom day by day. Between the metaverse and AI, it seems no one really wants to think about real life anymore. It makes sense; who isn’t attracted to what’s shiny and new? As the founder of AI creative studio Maison Meta, Cyril Foiret is committed to the shiny and new. This past weekend, he launched AI Fashion Week at Spring Studios in New York. In a room on the sixth floor where industry insiders have watched many fashion shows, 24 screens displayed “runway” images created with a variety of imaging software. At first glance, many of them looked like standard catwalk images, complete with fashion show guests; others, meanwhile, seemed to have been photographed in the desert or the rainforest. Instead of sitting on benches, people milled about, having drinks or taking pictures of the screens with their phones, wearing a neon wristband of a different color that identified them as media, competitors, or the general public.
In the Handle every stressful situation like a dog if you can’t eat it or play with it just pee on it and walk away shirt Additionally,I will love this 10 years since its collapse, Rana Plaza has come to symbolize not only the lack of factory safety in fashion’s supply chains but a matrix of systemic issues — from garment worker vulnerability to the colonial power dynamics between brands and suppliers. The 2023 Met Gala, which will celebrate the opening of the latest Costume Institute exhibition “Karl Lagerfeld: A Line of Beauty,” is just one week away. As the star-studded looks from years past begin to flood your social media feeds, we’re taking a look back at the magical moment when Katy Perry literally lit up the Met Gala red carpet while dressed as a chandelier. One of the first things you might have noticed while walking around central Milan last week was an unusually high number of brightly-colored shopping bags swinging from the arms of passers-by. For anyone with a passing interest in fashion, that specific hue of kelly green was unmistakable—it belonged, of course, to Bottega Veneta. But the reason why these bags were everywhere remained a mystery. Did everyone in the city suddenly become millionaires overnight? It turned out the explanation was a little more down-to-earth than that. The bags contained posters for Bottega Veneta’s project for Milan Design Week, which itself came with its own city street takeover, of sorts: namely, the bustling queue stretching halfway up Via Montenapoleone, all the way to the Italian brand’s usually discreet storefront. Instead of the usual muted window display, a bright green backdrop was emblazoned in the unmistakeable globular scrawl of the 83-year-old design maverick Gaetano Pesce, spelling out “Vieni a Vedere,” or, “Come and See.”
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