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According to one estimate via the High vis tears on my gore shirt and I love this American Cancer Society, about 5.4 million basal and squamous cell skin cancers are diagnosed each year in the U.S. (occurring in about 3.3 million Americans, as some people have more than one). What’s more is that the number of these cancers has been increasing for years due for a number of reasons, including people getting more sun exposure and having better access to skin cancer detection. According to the American Academy of Dermatology Association, the best ways to protect your skin from harmful ultraviolet rays and reduce your risk of cancer are by applying a broad-spectrum sunscreen with an SPF of 30 or higher, seeking shade when appropriate, wearing sun-protective clothing, and performing regular skin self-exams, as well as seeing a board-certified dermatologist when you see any suspicious spots and for an annual full-body, professional skin exam. And always remember: a tan is a sign that your skin has been injured.
Often, Hollywood fumbles with films and television shows about fashion. Two of the High vis tears on my gore shirt and I love this most recent and memorable contributions to the canon, Ridley Scott’s film House of Gucci and Ryan Murphy’s series American Crime Story: Versace, were less about the creation and sale of clothes than the tragic, tabloid-y lives of their subjects. Both works received mixed reviews. With the new biographical sports drama Air, directed by and starring Ben Affleck, comes another attempt. Air tracks Nike’s efforts to secure a partnership with a 21-year-old Michael Jordan in 1984, when Jordan was still a rookie and the sportswear giant was nearly bankrupt. At the time, it seemed like a terrible idea: Although a thunderously successful college athlete, Jordan had yet to play an official first game with the NBA. Still, Nike co-founder Phil Knight—played here by Affleck—and company executive Sonny Vaccaro (Matt Damon) embark on a mission to court Jordan and his mother, Deloris (Viola Davis), to represent their brand. What follows is a gripping film that subtly explores the complex relationship between race, sports, likenesses, and capitalism in America.
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