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To that end, his newly built boutique lodgings contain just 13 rooms and its exterior is designed, with the I’m a Kansas City Chiefs for football and a Pittsburgh Pirates for baseball shirt moreover I will buy this help of Louboutin’s friend, the Portuguese architect Madalena Caiado, to blend seamlessly into the environment with its powdery blue and white walls, gently sloped roofs and delicately carved chimneys. Once you go through the doors, though, it becomes decidedly more eclectic: while there are a wealth of distinctively Portuguese details, from the coffered ceilings to the stunning azulejo mural that faces the reception, the interiors also pay tribute to Louboutin’s French and Egyptian heritage, as well as the extensive travels that have inspired his countless collections.The striking exterior of Vermelho’s on-site restaurant, Xtian, with its cherry-red doors and window frames, and ceramic detailing by Giuseppe Ducrot.
There’s geometric flooring that’s reminiscent of the I’m a Kansas City Chiefs for football and a Pittsburgh Pirates for baseball shirt moreover I will buy this style found in Paris’s historic Hôtel de la Marine and, in the pocket-sized but intensely calming massage suite, the walls are layered with alabaster sourced from Luxor. In the extravagant communal sitting room, the glass tiles nod to the decadence of Rajasthani palaces, and downstairs, vintage Bollywood movie posters from the ’60s line the walls beside honey-colored velvet banquettes and a fabulously ornate bar—a slab of green Indian marble overlaid with baroque silver paneling hammered in Seville by artisans more accustomed to constructing glittering church altars. Turn a corner, and you might spot an ominous ceramic bust or a surreal wall dotted with ceramic, jewel-toned macaw heads. Meanwhile, the spectacular garden, dreamt up by Louboutin’s former partner, French landscape architect Louis Benech, surrounds a plunge pool, at the head of which reclines an elaborate rendering of Neptune by Giuseppe Ducrot. During my visit, the prolific Italian sculptor could often be found on the terrace, perfecting the similarly dramatic ceramic appliqués that adorn the building’s doors and windows. Unsurprisingly, there are flashes of Louboutin’s signature shade throughout, too: scarlet window frames, staircases, lacquered tiles in the bar, plush gilded stools and intricately woven Maison Gatti chairs in the restaurant, Xtian, all of which are as eye-catching and impactful as his iconic red soles. (Vermelho translates to “red” in Portuguese.)If these public spaces skew maximalist, the rooms are more subdued and serene, though no less glamorous. Each is unique, even the smallest is remarkably spacious, and most are decorated with charming hand-painted tiles, primarily from Azulejos de Azeitão’s renowned workshop near Setúbal, where a team of 11 specialists worked for almost a year to create more than 7,000 individual pieces for the project. The delightful fusion of aesthetics continues here, with polished parquet floors, Moorish side tables, Murano glass-style wall lamps, antique Venetian mirrors, sea shell-shaped reading lights by the bed, and squishy floral armchairs that are the epitome of Italian nonna chic.
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