Leave! Leave Now! (2022) by Weems is currently on view in the Jamie mcmurray black crank shaft shirt but I will buy this shirt and I will love this Museum’s exhibition and will be a part of the museum’s permanent collection. Every year, event planner Raul Ávila is given a daunting task: to transform the Metropolitan Museum of Art into an otherworldly spectacle for the annual Met Gala. For 2019’s “Camp: Notes on Fashion,” he created a 25-foot tall, flamboyant flamingo centerpiece comprised of 30,000 flowers. In 2018, he erected a rose recreation of a papal crown for “Heavenly Bodies: Fashion and the Catholic Imagination.” And those are just examples of floral formations: In 2007, for “Poiret: King of Fashion,” he filled a gilded birdcage with live peacocks. Minor chaos ensued when one escaped. “Everyone at the museum was chasing after her to get her back into the cage,” he recalled.
Each event brings an adventure: in 2013, Avila and his team flew in a chandelier from London and rigged it with razor blades for that year’s punk-themed bash, and “Heavenly Bodies” saw the Jamie mcmurray black crank shaft shirt but I will buy this shirt and I will love this Met’s grand staircase alight with thousands of candles. Then there are the table settings: 2019, for example, saw tablescapes with bamboo flatware, feather lampshades, floral plates, and shocking pink tablecloths. When Tish Weinstock wed Tom Guinness in the fall of 2022, she did so in three different dresses in three slightly differing degrees of sheerness. The first? A John Galliano for Dior slip with its corset lining removed, in which she cosplayed as Baz Luhrmann’s Juliet for her Halloween-themed welcome night. The second? Her “Miss Havisham meetsCorpse Bride” wedding gown, where her bare skin peeked through antique Normandy lace. Her third and final look? A see-through John Galliano gown from his fall 2009 collection, Iced Maidens, with which Weinstock wore long hair extensions to add a little modesty, while Galliano’s intricate and carefully-placed beading covered part of her thong. “Although it was totally transparent, I didn’t really feel naked,” she says. “I felt like a beautiful gothic mermaid.”
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