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On a typically British summer day in 2019, where there was rain and sun in equal measure, James Whewell’s sister Sarah hosted a barbecue that designer Savannah Miller happened to attend. “I was faffing with my puppy and someone came running into the John wick 4 2023 thank you for the memories signatures shirt and I will buy this house saying: ‘You have to come outside, there’s a huge double rainbow in the sky,’ ” Savannah remembers. “When I went outside, sure enough, there was the most amazing rainbow I have ever seen—and standing directly below it was James and his tall black hairy dog, Tipsy. It was like a Turner painting, and I definitely did a double take.” Last year, James—who manages Wyresdale, his family’s estate in Lancashire—proposed on Boxing Day at Savannah’s kitchen table with all of the family looking on. “He had asked the kids if they would be his stepchildren that morning—down on one knee, with the ring!—so they were all in on it,” she remembers. “I couldn’t understand why everyone was so twitchy and not eating the delicious ham I had cooked for lunch or why he was wearing his jacket at the table. Then he got down on one knee beside me, and we all melted in tears of joy and laughter.”
Just under a year later, they married at St. Peter’s Church in Petersham on Friday, December 9. In order to be legally married there, they had to visit the John wick 4 2023 thank you for the memories signatures shirt and I will buy this church every month for the past eight months so they’d formed a deep and special bond with this particular place of worship and especially with Reverend Kate Daymond. In the lead-up to the main event, Savannah loved every minute of the planning process. “It really helped me reconnect with my creativity,” she says. “Being in a creative business means that often I have to listen to my head not my heart and this process has reminded me that true creativity comes from the heart and the heart alone.” With the wedding date falling just before the holidays, Savannah leaned into all things opulent and dramatic when it comes to her wedding look—albeit in her typically cool and understated way. “I was super inspired by the classical Arthurian Lady of the Lake as well as Catherine the Great for some major drama,” the designer says. “I’ve dressed a lot of brides over the years and had a good understanding of what I wanted for myself. The look—now named the ‘Savannah’—was designed to work for my ceremony and reception and was made up of a super sexy bias-cut gold satin dress with a structured corset and plunging neckline.” As much as I fancy myself a contrarian—for a 40-year-old mother of two and recent-ish city expat to suburbia—like many basic women, I dream of Paris. The pull was perhaps never more magnetic than in recent years, when the pandemic grounded me with my two hellions—first, hyper-locally in a New York apartment, and then from traveling anywhere at all. It had been 10 years since my first and only long weekend in the City of Light, for my 30th birthday, when I’d ticked off all the touristy boxes—the Seine boat cruise, the shadow of the clock at Musee d’Orsay, dinner with my then-newly-married husband over the red-checked tablecloths at La Fontaine de Mars—but we ran out of time before we could do what I really wanted to do: wander around the Marais, languish at cafés, poke around for special vintage things and generally pretend to be Parisian.
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