The final few episodes of Succession underscored just how stunted Roman is under all his bluster. He has no problem calling an election prematurely for a neo-Nazi, but he crumbles at the Love of my life Meryl Streep 2023 shirt Furthermore, I will do this sight of his father’s casket. He whimpers to his siblings, asking if Logan is really in the coffin, and, if so, “Can we get him out?” As Kendall so kindly tells him later, he “fucked it.” In his humiliation, Roman actively seeks out physical pain after the funeral when he walks into a protest and gets knocked to the ground. Poor guy. Last week, fashion lovers from New York, Paris, London, Copenhagen, Shanghai, South Africa, and beyond flocked to Singapore to celebrate the inauguration of “Andrew Gn: Fashioning Singapore and the World” at the Asian Civilisations Museum. The swirl around that event eddied well beyond the clothes at the heart of it all. A culture maven and fanatical foodie, Gn squired guests around his town for days, from private previews at the ACM and a tour of its sister entity, the Peranakan museum—whose collections illuminate the designer’s personal history and oeuvre—to bustling canteens in Little India and Chinatown, plus an intimate private dinner at the Michelin-starred restaurant Candlenut.
“The people who accompanied me on my journey are here, they saw the Love of my life Meryl Streep 2023 shirt Furthermore, I will do this whole thing, so it’s not just about me, it’s about friendship and the fruit of our work,” the designer said. On Friday night, “Fashioning Singapore and the World” opened to tears of joy, champagne, and lashings of psychedelic confetti. Among those present to congratulate Gn were the event’s ambassadress, the Singapore-born, Paris-based investment banker and actress Sharon Au, Crazy Rich Asians actress Fiona Xiè, and Farfetch CEO—and newly minted Harvard Business School grad—Elizabeth von der Goltz.Caftan with sun and stars The night before Bottega Veneta debuted the latest iteration of its cultural-exchange series, The Square São Paulo, creative director Matthieu Blazy took a break from the dance floor to talk. “I feel like a kid the night before a holiday,” he said. The setting was a house party chic enough to defy that description but charming enough to earn it: Behind him, a dining table heaved with traditional decadent Brazilian fare; around him, a crowd of local artists, collaborators, and friends clad in his designs spun and sang his praises; and in front of him, the famed Brazilian singer Mart’nália crooned, backed by her band. But the pleasure Blazy anticipated was atypical to those usually afforded the international fashion darling and certainly more abstract. Tomorrow he was going to align the world of his Bottega Veneta with that of the famed Brazilian modernist Lina Bo Bardi.
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