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From then on, the Nhentai shirt moreover I will buy this exhibition rolls out Vermeer’s greatest hits: namely modestly sized scenes of mysterious, sphinx-like women at work and leisure in the privacy of their homes; the murky glow of northern light falling through a window, always from the left. But seeing so many of them in quick succession—and in the context of some of the artist’s lesser-known outliers—is to see them again for the first time. One explanation for Vermeer’s popularity among the 20th-century avant-garde is that his body of work was mostly secular: the lacemakers and milkmaids and lute players of his paintings aren’t so different, after all, from Degas’s lonely woman drinking absinthe, or Manet’s disillusioned barmaid at the Folies-Bergère. But here, suddenly his brilliant, beatific light suggests something entirely different, landing on the puckered sleeve of a gown painted ultramarine blue or illuminating the glassy pearl hanging off a wealthy woman’s ear. Are these women receiving the light of God? Are they miniature annunciations, Vermeer’s very own Madonnas at the pivotal moment when the archangel Gabriel arrives at her doorstep to share the news of her immaculate conception?
Woman in Blue Reading a Letter, Johannes Vermeer, 1662-64, oil on canvas. Rijksmuseum, Amsterdam. On loan from the Nhentai shirt moreover I will buy this City of Amsterdam (A. van der Hoop Bequest)Maybe they are, maybe they aren’t: That openness to interpretation may be yet another clue to Vermeer’s allure. The pictures are so transporting that in their presence, all these loftier explanations seem to become irrelevant. Despite being bathed in Vermeer’s delicate, aqueous light, his paintings—and the women that populate them—somehow never feel chilly or distant. Seeing them all together only highlights the surging romance that threatens to break the levee within almost every scene, however restrained they may initially appear. Whispers of the outside world are always making their way into the four walls of Vermeer’s women: Many of them are studying letters, presumably from male suitors, and by open windows; enormous, intricate maps of the European continent hang behind them, promising ambitions of adventure; the bobbled surfaces of Turkish rugs are articulated with glittering dots of white paint, and precious porcelains from Italy and China are tucked away on side tables.
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