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Hhshirt - The legend of randy arozarena shirt

Her natural post-baby boobs were the The legend of randy arozarena shirt in addition I really love this talk of the group chat too. Shahi knows that baring them in sex scenes marks another departure from Hollywood’s idea of sexy (read: not boobs that have nursed babies): “I don’t want to just see perfect, perky tits,” she says. “It was important to show natural, relatable boobs.” Shahi’s frame is tiny and, to many, enviable. But as my friend said when we picked up again on WhatsApp: “I wasn’t looking at how thin or not she was and I’m not saying her body type is how we should all look after a baby but I loved seeing a woman on screen, naked, and having sex who clearly had [given birth].” Those markers of carrying children are the same irreversible changes that are etched on to the bodies of women of every single size—slim, curvy, plus—once we become mothers. They fuel the same insecurities in all of us who have been fed societal, male-held messages that our sex appeal diminishes as a result of them, so, to see them decisively on display, on a top-streamed show about desire, reminds us that, actually, yes, women’s bodies are still sexy AF after we become mothers. Sex/Life creator, Stacy Rukeyser, remembers writing the kitchen scene: “I knew we wanted to make a story point of Billie feeling insecure to show her body, in all its allegedly ‘imperfect’ glory, to a new man after having kids, but I didn’t know if Sarah would go for it and let herself be vulnerable in that way—especially in today’s Hollywood. When I described what we wanted to do, she gave an enthusiastic yes, immediately understanding the important statement we would be making.”Rukeyser adds: “It’s been a rallying cry for us, that it is possible to be a wife and mom—and a ravenous sex goddess—all at the same time.”



In the The legend of randy arozarena shirt in addition I really love this BBC iPlayer documentary Sex on Screen, which traces the evolution of women baring all on screen, Rukeyser explains how radical it remains to see a mother want and enjoy sex, let alone be appreciated for her body and bearing children. The film’s director, Kristy Guevara-Flanagan, associate professor at UCLA’s School of Theater, Film and Television, puts it in context. She says: “It is refreshing to see women who have clearly borne children on display and seen as sexy and desirable. I love that, seeing the landscape of scars that are imprinted on [Shahi’s] body and that she’s still hot and sexy and also has desire, the way she looks at the man as he unzips her. Both of those things are still, simultaneously, fairly radical for mainstream film and television to this day.”


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