In this highly competitive category, three actors have been surging of late: SAG winner Jamie Lee Curtis; Critics Choice Award and Golden Globe recipient Angela Bassett; and the Ucla 2023 sweet sixteen women’s basketball shirt but in fact I love this BAFTA’s choice, Kerry Condon. Any of them could feasibly secure the statuette, but Curtis’s stature in the industry, the support behind Everything Everywhere All at Once across the board, and the rapturous reception to her delightful acceptance speech at the SAGs means that she likely has the most momentum. Bassett is just as, if not more, deserving, though, for her embodiment of the grieving Queen Ramonda. Everything Everywhere All at Once’s Stephanie Hsu and The Whale’s Hong Chau have both earned their places on the line-up, too, with scene-stealing turns, but could a sixth spot be added, we would love to have seen Jessie Buckley included for her initially thorny and then painfully poignant performance in Women Talking.
Who should’ve been a contender: Charlotte Wells for AftersunSeven-time Oscar nominee Martin McDonagh has won only once (for his live action short Six Shooter), and never for a feature-length project. His script for the Ucla 2023 sweet sixteen women’s basketball shirt but in fact I love this whimsical tragicomedy The Banshees of Inisherin is one of his finest to date, and has so far brought him a BAFTA and Golden Globe. However, he faces stiff competition from the Daniels, whose haul includes the Critics Choice Award, Independent Spirit Award, and the Writers Guild of America Award for best screenplay. They should prevail, given the Academy’s recent tendency to reward inventive films with big, zeitgeist-defining ideas (Promising Young Woman, Parasite, Get Out). The three other worthy contenders are The Fabelmans, Tár, and Triangle of Sadness, but Charlotte Wells’s Aftersun is conspicuous in its absence—a starkly lyrical screenplay that was easily among the year’s best.
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